After studying the wine-making process, Cécile Pitois focused on the idea that assemblage involves achieving a balance between the addition and subtraction of components. This idea of adjustment led her to consider the notion of counterbalance. She gives concrete form to these questions via a kind of portrait : two human silhouettes, each showing a particular attribute: the female figure the sun, the male gure the rain. "(++-)" forms a kind of signature for the vineyard, intended for visitors. It signals the duality that underscores the work of the winery: the complementary nature of the ingredients produced by the vines ; and the intentions of, and relationship between, the people who tend them.

After studying the wine-making process, Cécile Pitois focused on the idea that assemblage involves achieving a balance between the addition and subtraction of components. This idea of adjustment led her to consider the notion of counterbalance. She gives concrete form to these questions via a kind of portrait : two human silhouettes, each showing a particular attribute: the female figure the sun, the male gure the rain. "(++-)" forms a kind of signature for the vineyard, intended for visitors. It signals the duality that underscores the work of the winery: the complementary nature of the ingredients produced by the vines ; and the intentions of, and relationship between, the people who tend them.

After studying the wine-making process, Cécile Pitois focused on the idea that assemblage involves achieving a balance between the addition and subtraction of components. This idea of adjustment led her to consider the notion of counterbalance. She gives concrete form to these questions via a kind of portrait : two human silhouettes, each showing a particular attribute: the female figure the sun, the male gure the rain. "(++-)" forms a kind of signature for the vineyard, intended for visitors. It signals the duality that underscores the work of the winery: the complementary nature of the ingredients produced by the vines ; and the intentions of, and relationship between, the people who tend them.

After studying the wine-making process, Cécile Pitois focused on the idea that assemblage involves achieving a balance between the addition and subtraction of components. This idea of adjustment led her to consider the notion of counterbalance. She gives concrete form to these questions via a kind of portrait : two human silhouettes, each showing a particular attribute: the female figure the sun, the male gure the rain. "(++-)" forms a kind of signature for the vineyard, intended for visitors. It signals the duality that underscores the work of the winery: the complementary nature of the ingredients produced by the vines ; and the intentions of, and relationship between, the people who tend them.

After studying the wine-making process, Cécile Pitois focused on the idea that assemblage involves achieving a balance between the addition and subtraction of components. This idea of adjustment led her to consider the notion of counterbalance. She gives concrete form to these questions via a kind of portrait : two human silhouettes, each showing a particular attribute: the female figure the sun, the male gure the rain. "(++-)" forms a kind of signature for the vineyard, intended for visitors. It signals the duality that underscores the work of the winery: the complementary nature of the ingredients produced by the vines ; and the intentions of, and relationship between, the people who tend them.

After studying the wine-making process, Cécile Pitois focused on the idea that assemblage involves achieving a balance between the addition and subtraction of components. This idea of adjustment led her to consider the notion of counterbalance. She gives concrete form to these questions via a kind of portrait : two human silhouettes, each showing a particular attribute: the female figure the sun, the male gure the rain. "(++-)" forms a kind of signature for the vineyard, intended for visitors. It signals the duality that underscores the work of the winery: the complementary nature of the ingredients produced by the vines ; and the intentions of, and relationship between, the people who tend them.

After studying the wine-making process, Cécile Pitois focused on the idea that assemblage involves achieving a balance between the addition and subtraction of components. This idea of adjustment led her to consider the notion of counterbalance. She gives concrete form to these questions via a kind of portrait : two human silhouettes, each showing a particular attribute: the female figure the sun, the male gure the rain. "(++-)" forms a kind of signature for the vineyard, intended for visitors. It signals the duality that underscores the work of the winery: the complementary nature of the ingredients produced by the vines ; and the intentions of, and relationship between, the people who tend them.

After studying the wine-making process, Cécile Pitois focused on the idea that assemblage involves achieving a balance between the addition and subtraction of components. This idea of adjustment led her to consider the notion of counterbalance. She gives concrete form to these questions via a kind of portrait : two human silhouettes, each showing a particular attribute: the female figure the sun, the male gure the rain. "(++-)" forms a kind of signature for the vineyard, intended for visitors. It signals the duality that underscores the work of the winery: the complementary nature of the ingredients produced by the vines ; and the intentions of, and relationship between, the people who tend them.

After studying the wine-making process, Cécile Pitois focused on the idea that assemblage involves achieving a balance between the addition and subtraction of components. This idea of adjustment led her to consider the notion of counterbalance. She gives concrete form to these questions via a kind of portrait : two human silhouettes, each showing a particular attribute: the female figure the sun, the male gure the rain. "(++-)" forms a kind of signature for the vineyard, intended for visitors. It signals the duality that underscores the work of the winery: the complementary nature of the ingredients produced by the vines ; and the intentions of, and relationship between, the people who tend them.